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The Bleecker Street Cinema was an art house movie theater located at 144 Bleecker Street in Manhattan, New York City, New York. It became a landmark of Greenwich Village and an influential venue for filmmakers and cinemaphiles through its screenings of foreign and independent films. It closed in 1990, reopened as a gay adult theater for a time afterward, then again briefly showed art films until closing for good in 1991. ==History== The building at 144 Bleecker Street in New York City's Greenwich Village that would eventually house the Bleecker Street Cinema was originally built in 1832 as two rowhouses at 144 and 146 Bleecker Street. Placido Mori converted 144 into the restaurant Mori in 1883. As architecture historian Christopher Gray wrote, Mori closed in 1937. The building remained unoccupied until 1944 when political and activist organizations including Free World House headquartered there for two years. Sometime afterward, the space became the Restaurant Montparnasse.〔 By 1959, the building was owned by New York University.〔 Filmmaker and social activist Lionel Rogosin founded the 200-seat Bleecker Street Cinema in 1960 in order to exhibit his controversial 1959 film ''Come Back, Africa''.〔 While some sources give 1962, founder Rogosin states the theater opened in 1960.〕 In the early 1960s, the independent-filmmakers' group The Film-Makers' Cooperative, of which Rogosin was a supporter, showed experimental movies there as midnight screenings. Soon the venue became, in the words of film critic and historian James Hoberman, one of "three key revival houses: The New Yorker, the Bleecker Street (), and the Thalia", in New York City during the 1950s and 1960. Film critic Rudy Franchi, at one time the theater's program director, recalled that the house cat, Breathless, named for that Godard film, would often "escape from the office area and start to climb the movie screen. ... I would sometimes get a buzz on the house phone from the projection booth with the terse message 'Cat's on the screen.'"〔Daugherty, p. (231 )〕 The theater cat at the venue's 1990 closing was named Wim, after director Wim Wenders.〔 Sid Geffen purchased the theater in 1973〔 or 1974,〔 and ran it with his wife, then named Jackie Raynal. That same year, Geffen bought the Carnegie Hall Cinema, housed in the famed music hall.〔 Future October Films co-founder and United Artists studio executive Bingham Ray began his film career in 1981 as a manager and programmer at the theater, and longtime Film Forum programmer and film historian Bruce Goldstein had his first New York theater job at Geffen's two venues. Geffen died in 1986. In 1990, his widow, by then remarried and named Jackie Raynal-Sarré,〔Per Lovece, ''New York Post'', she was married to psychologist Jean-Paul Sarré; they appear together in (Gérard Courant's 1986 short film "Jackie Raynal and Jean-Paul Sarré" ) from the filmmaker's "Couples" series. Per (Jackie Raynal's official site )((Archived ) on November 22, 2014), she later married real-estate businessman and film producer Joseph J.M. Saleh, and became known as Jackie Raynal-Saleh.〕 said that because Geffen left no will, she partnered with developer John Souto to buy out Geffen's children from a previous marriage.〔 She further said that Souto, after renting to her for four years for $160,000 annually, raised the rent to $275,000, more than the theater could sustain. Following a lawsuit and court proceedings, a judge ordered the two co-owners to bid on the building. "We came in with () $3.3 million () and he came in with $3.4 million," Raynal-Sarré said.〔 In its final configuration, it had a main auditorium of The theater closed on September 6, 1990. The last film to start was Aki Kaurismäki's 74-minute ''Ariel'', and the last film to end was the nearly two-hour ''Jesus of Montreal''.〔 The last film in the James Agee Room was Roger Stigliano's ''Fun Down There''.〔 By November of that year, it had reopened as a gay adult-film theater.〔 Sometime afterward it returned to its art-house roots and then closed a final time on Monday night, September 2, 1991. Its final features were Alex van Warmerdam's Dutch comedy ''Voyeur''; the documentary ''Jimi Hendrix at the Isle of Wight''; Ari Roussimof's war-veteran drama ''Shadows in the City''; and Francis Teri's horror movie ''Suckling''.〔 The theater's final operator was Nick Russo Nicolaou. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bleecker Street Cinema」の詳細全文を読む スポンサード リンク
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